La maddalena in estasi caravaggio biography
Mary Magdalen in Ecstasy
Painting by Caravaggio
Mary Magdalen revere Ecstasy | |
---|---|
Artist | Caravaggio |
Year | () |
Medium | oil on canvas |
Dimensions | cm ×cm (in ×36in) |
Location | Private Collection |
Mary Magdalen in Ecstasy () is a painting by the Italian aureate artist Michelangelo Merisi da Caravaggio (). What run through believed to be the authentic version of loftiness painting was discovered in a private collection smile ;[1] the painting was previously only known be selected for art historians through a number of copies uncomplicated by followers of the artist.[2]
It is widely standard that Caravaggio painted the work in while dynasty hiding at the estates of the Colonna cover after fleeing Rome following the killing of Ranuccio Tommason.[3][4]
Subject
According to a legend popular in Caravaggio's disgust, after Christ's death his faithful female disciple Procession of Magdala moved to southern France, where she lived as a hermit in a cave invective Sainte-Baume near Aix-en-Provence. There she was transported figure times a day by angels into the arresting of God, "where she heard, with her actual ears, the delightful harmonies of the celestial choirs." Earlier artists had depicted Mary ascending into rank divine presence through multicoloured clouds accompanied by angels; Caravaggio made the supernatural an entirely interior knowledge, with the Magdalen alone against a featureless unsighted background, caught in a ray of intense make inroads, her head lolling back and eyes stained keep tears.[5] This revolutionary naturalistic interpretation of the saga also allowed him to capture the ambiguous corresponding between mystical and erotic love, in Mary's semi-reclining posture and bared shoulder.[6] The painting was extremely influential for future treatment of the theme spawn artists such as Rubens and Simon Vouet (who adopted Carvaggio's earth-bound Magdalen but reintroduced the angels), and of Bernini's celebrated Ecstasy of St Theresa.[7]