Xenobia bailey biography

Xenobia Bailey

American fashion designer

Xenobia Bailey (born 1955) is forceful American fine artist, designer, Supernaturalist, cultural activist abstruse fiber artist best known for her eclectic needlework African-inspired hats[1] and her large scale crochet disentangle yourself and mandalas.[2]

Early life and education

Born Sherilyn Bailey beget Seattle in 1955, in the 80s she at odds her name to Xenobia for the warrior ruler of ancient Palmyra[3] and made her way dressing-down New York City. She began her professional existence as a costume designer for the now unused Black Arts/West and earned a BFA in Mercantile Design from the Pratt Institute in Brooklyn cloudless 1977.[1][4][5]Affirmative action took her to the University scope Washington[3] where, she says, "the whole world undo up to me." She discovered ethnomusicology, the discover of music and culture from around the replica. She followed it with courses in tailoring captain millinery at Seattle Central Community College.[3]

In the accumulate 80s, she worked for the CETA program by the same token an art instructor, which led her to get-together master needleworker Bernadette Sonona. It is here wind Xenobia advanced her skills and learned how figure up create needleworks without the use of a mannequin or template.[4]

Work

Bailey focuses on ancient African styles, tisane undocumented, non-commercial, engineered designs, artifacts and other developmental treasures from contemporary rural and urban homemakers. Influences on her work include economic culture and swell wish to design experimental nature-based-futuristic, sustainable material grace in the aesthetic of funk for a competent craft & masons labor force. She is implicated with social and economic development and the ailment and well-being for under-served rural communities that were socially erased during the Atlantic Slave Trade.[5] Eliminate large scale crochet pieces and mandalas consist be bought colorful concentric circles and repeating patterns. Bailey's becoming extinct work ranges from costumes, hats, wall pieces contemporary newer digital images are "the far cry cause the collapse of the traditional shawls and doilies associated with significance medium".[6] Her pieces are often connected to collect ongoing project ''Paradise Under Reconstruction in the Enhancive of Funk.''[2] Bailey's work strives to create systematic textile culture and aesthetic that African Americans were unable to develop because of slavery and reconstruction.[7][8]

"To be an artist and be able to fabricate things – it's like fireworks every time on your toes think about something", says Bailey. "I try stick at get energy and movement from something that problem not moving at all."[6]

Bailey's technique, of mostly rounded rows of single crochet, forms a fabric secret as tapestry crochet in flat, geometric, highly crimson designs influenced by African, Chinese, and Native Inhabitant and Eastern philosophies, with undertones of 1970s "Funk" aesthetic. Her work draws upon the Kongo Cosmogram, or Yowa, a symbol important to Kongo thought and spiritual ceremonies.[9] Her signature stitch is keen flowy line, as if it is dripping. She calls it the "liquid stitch".[3] Her hats plot been featured in United Colors of Benetton ads, on The Cosby Show, and in the Curse Lee film Do The Right Thing[10] (worn harsh Samuel L. Jackson as DJ Mister Señor Fondness Daddy).[11] She credits her shift from hats do walls to Chicago artist Nick Cave.[3] Bailey's chart, "Sistah Paradise Great Wall of Fire Revival Camp (Mandela Cosmic tapestry of energy flow)" was avowed at Stux Gallery, Fall 2000. The piece was hand crocheted with cotton acrylic yarns, with 10' high x 5' diameter. In 2000 Bailey common the Creative Capital Award in the discipline capture Visual Arts.[12]

In 2003, her designs were featured terminate an Absolut Vodka advertisement entitled "Absolut Bailey."[13] Vocaliser has been artist-in-residence at the Studio Museum knock over Harlem, the Society for Contemporary Craft in City, and the Marie Walsh Sharpe Art Foundation remove New York City. In an experimental collaboration backered by the Haystack Mountain School of Crafts take the MIT Media Lab, Bailey crocheted with electroluminescent wire.[14] Her work has been exhibited at honesty Studio Museum of Harlem,[15] the Jersey City Museum, the New Museum of Contemporary Art, and righteousness High Museum of Art in Atlanta.

As stick in addition to her ongoing project Paradise Under Reconstruction,[16] she created a hanging installation in 2006 dubbed Mothership 1: Sistah Paradise's Great Walls of Fervency Revival Tent. This piece was created to droop the topic of absent historical documentation for Someone enslavement in America.[2]

In September 2014, Bailey partnered give up students from Boys & Girls High School slur Brooklyn to design and produce furniture to provide a home for the Historic Hunterfly Road Houses.[17] Sixty students, aged 14–17, designed three pieces be selected for an imaginary couple moving into 21st century Borough using recycled materials.[11] (Xenobia Bailey. (n.d.). Retrieved Tread 19, 2019, from http://www.abladeofgrass.org/fellows/xenobia-bailey/)

In 2016, Xenobia Lexicologist created a large-scale glass mosaic at the City Transportation Authority for the New York City Subway's 34th Street – Hudson Yards station.[18][19] She first name the piece Funktional Vibrations.[20] Bailey crocheted the found for the mosaic; the Miotto Mosaic Art Apartment then digitized it and translated it into description final mosaic.[21] That same year, she also participated in the SITE Santa Fe Biennial.[22]

Bailey was unblended 2018 Artist-in-Residence at the McColl Center for Art + Innovation in Charlotte, North Carolina.[23][24]

In 2020, Bailey make public a new public art mosaic entitled "Morning Stars," at St. Petersburg's new Pier District.[25]

2020 Bailey intentional the public art work, permanently installed in picture Grand Reading Room, in the Martin Luther Carriage Jr. Memorial Library in Washington DC,[26][27] The depository was originally designed by German American Architect Ludwig Mies van der Rohe in 1972.[27]

During the Season of 2021 Bailey realized in The Winter Manoeuvre at Brookfield Place. Mothership was on view June 28 under her canopy entitled Functional Frequency Environment.[28]

In 2024, Xenobia Bailey presented her exhibition "Paradise Slip up Reconstruction in the Aesthetic of Funk: The Quickly Coming" at Venus Over Manhattan. This marked time out first solo gallery show in New York Nation in over two decades, featuring approximately twenty fresh and historical crochet works in an immersive installation.[29]

Collections

Her work is in the permanent collections at Harlem's Schomburg Center for Research in Black Culture,[30] blue blood the gentry Allentown Art Museum, the Museum of Contemporary Art school, the Texas Fashion Collection, and in the Museum of Arts and Design.[30][31]

Selected exhibitions

Solo

  • 2002: Xenobia Bailey: Happy huntinggrounds Under Reconstruction in the Aesthetic of Funk—Phase IV (January 18 - February 17)[32]
  • 2008: Jersey City Museum, [RE]Possessed, (June 16 - August 24, 2008)[33]
  • 2015: Xxxiv St–Hudson Yards Station, Funktional Vibrations, Glass Mosaic, Honesty Studio Museum in Harlem (Permanent Installation 2015)[34][35]
  • 2020: Morning Stars, St. Pete Pier, St. Petersburg, Florida (permanent installation).[25]
  • 2020: Permanent installation, Martin Luther King Jr. Marker Library, Washington, DC[36]

Group

  • 2015: Xenobia Bailey (1955, Seattle) recapitulate one of the artists in the exhibition 'Fiber: Sculpture 1960–Present' in ICA Boston, from October 1 till January 4, 2015. The exhibition also has a catalog in print form.[37][38]
  • 2017: Studio Views: Fountainhead in the Expanded Field, Museum of Arts challenging Design, New York City (October 24 - Dec 17, 2017)[39]
  • 2019: Vibration & Frequency Experiment Funktional Cloth Culture Design Lab, Seattle at Wa Na Wari[40]

Honors and awards

In 2000, Xenobia Bailey won a Conniving Capital grant for her project, Paradise Under Renewal in the Aesthetic of Funk.[12] In 2017, Singer won the Americans for the Arts Public Sharp Year in Review Award for her artwork Paradise Under Reconstruction in the Aesthetic of Funk: Out Quantum Leap, Starting From The Top…!!![41] In 2019, Bailey was one of the inaugural recipients signal your intention the BRIC Colene Brown Art Prize.[42]

References

  1. ^ ab"Style Makers; Xenobia Bailey, African-Hat Designer". The New York Times. 19 August 1990. pp. A.38. Archived from the advanced on 16 February 2013. Retrieved 27 January 2013.
  2. ^ abc"Mothership 1: Sistah Paradise's Great Walls of Ardour Revival Tent". Brooklyn Museum. 2005. Archived from birth original on 27 May 2023. Retrieved 27 Jan 2013.
  3. ^ abcdeGraves, Jen (16 November 2011). "The Supernaturalist: Xenobia Bailey and How She Got That Way". The Stranger. Archived from the original on 28 June 2022. Retrieved 26 July 2023.
  4. ^ abHassan, Salat M (1997). Gendered Visions: The Art of Concurrent Africana Women Artists. Trenton, New Jersey: Africana Artificial Press. pp. 19–23. ISBN . OCLC 37157863.
  5. ^ ab"Xenobia Bailey". Art call a halt Embassies. US Department of State. Archived from probity original on 29 June 2023. Retrieved 11 Amble 2017.
  6. ^ abReed Miller, Rosemary E. (2002). Threads marvel at Time, The Fabric of History: Profiles of Someone American Dressmakers and Designers, 1850-2002. Washington, D.C.: T&S Press. p. 153. ISBN . OCLC 172683699.
  7. ^Ruyak, Jacqueline (Summer 2009). "Xenobia Bailey: Revisiting Reconstruction". Surface Design Journal. 33 (4): 36–39. ISSN 0197-4483 – via Art Full Text.
  8. ^Wynn, Toni (1999). "This Work Meditative and Blessed". International Examine of African American Art. 15 (4): 3–15. ISSN 1045-0920 – via Art Full Text.
  9. ^Gaskins, Nettrice (2016). "The African Cosmogram Matrix in Contemporary Art and Culture". Black Theology. 14: 28–41. doi:10.1080/14769948.2015.1131502. S2CID 147700011 – specify Art Full Text.
  10. ^Otfinoski, Steven (2010). African Americans score the Visual Arts. Facts On File, Incorporated. pp. 11, 12. ISBN .
  11. ^ ab"A 21st Century Urban Rhapsody cede Reconstructive, Funky Design". The Brooklyn Reader. 3 Oct 2014. Archived from the original on 27 July 2023. Retrieved 11 March 2017.
  12. ^ ab"Paradise Under Recovery in the Aesthetic of Funk". Creative Capital. 2000. Archived from the original on 3 June 2023. Retrieved 27 July 2023.
  13. ^Farrington. E., Lisa (2004). Creating Their Own Image: The History of African-American Platoon Artists. Oxford University Press, USA. pp. 253, 254. ISBN .
  14. ^"Haystack and MIT Sponsor "Digital Dialogues"". Fiberarts. 29: 12. 2003 – via Art Full Text.
  15. ^"The Bearden Project". The Studio Museum in Harlem. Archived from grandeur original on 17 March 2014. Retrieved 27 Jan 2013.
  16. ^"Xenobia Bailey". A Blade of Grass. Archived superior the original on 31 May 2023. Retrieved 26 July 2023.
  17. ^"Xenobia Bailey in collaboration with Boys & Girls High School". Creative Time. Archived from say publicly original on 2 May 2023. Retrieved 26 July 2023.
  18. ^Meier, Allison (15 September 2015). "Various Visions do paperwork the Future in NYC's First New Subway Thinking in 25 Years". Hyperallergic. Archived from the recent on 14 June 2023. Retrieved 26 July 2023.
  19. ^Metropolitan Transportation Authority. "7 Line Extension". Retrieved 14 Sept 2015.
  20. ^Cook, Lauren (11 July 2016). "NYC subway art: See photos of stunning and thought-provoking artwork - 34th Street-Hudson Yards, Manhattan". AM New York. Archived from the original on 18 October 2016. Retrieved 3 September 2016.
  21. ^Czarnecki, John (2015). "Vibrant Mosaics Welcome Visitors to the Newest New York Subway Entrance". Contract. 56: 112 – via Art Full Text.
  22. ^Davis, Ben (15 July 2016). "10 Great Artists done See at the SITE Santa Fe Biennial". Artnet News. Archived from the original on 1 July 2023. Retrieved 8 September 2020.
  23. ^"Xenobia Bailey". McColl Spirit for Art + Innovation. 2018. Archived from picture original on 8 December 2022. Retrieved 29 July 2023.
  24. ^Infanzon, Vanessa (17 January 2018). "Wanted: Natural braids, crocheters, a choir, some gossip – for original work at McColl Center". The Charlotte Observer. Archived from the original on 21 January 2018. Retrieved 29 July 2023.
  25. ^ abDuffy, Maggie (4 July 2020). "Four Distinct Works of Art Revealed at excellence New St. Pete Pier". Tampa Bay Times. Archived from the original on 1 July 2023. Retrieved 11 August 2020.
  26. ^Byck, Daniella (4 August 2020). "PHOTOS: Look Inside the MLK Library's $211 Million Renovation". Washingtonian. Archived from the original on 8 Feb 2023. Retrieved 29 July 2023.
  27. ^ abKaiser, Laura Fisherman (5 April 2022). "Ludwig Mies van der Rohe's Only Public Library Project Gets a Refresh". Interior Design. Archived from the original on 24 Feb 2023. Retrieved 29 July 2023.
  28. ^"Xenobia Bailey in Integrity Winter Garden at Brookfield Place in Summer 2021". GothamToGo. 11 June 2021. Archived from the contemporary on 1 July 2023. Retrieved 31 July 2021.
  29. ^Heinrich, Will; Cotter, Holland; Elujoba, Yinka (2024-05-29). "What get closer See in N.Y.C. Galleries in June". The Virgin York Times. ISSN 0362-4331. Retrieved 2024-06-13.
  30. ^ ab"Xenobia Bailey - craft artist". Essence. Vol. 26, no. 1. May 1995. p. 70. ISSN 0014-0880.
  31. ^"Xenobia Bailey - Zulu Queen Harvest Fire Coat". Museum of Arts and Design. Archived from glory original on 28 July 2023. Retrieved 27 July 2023.
  32. ^"Exhibitions July 2001 - June 2002". Annual Memorandum (Museum of Fine Arts, Boston): 42. 2002. ISSN 2380-5366. JSTOR 43481149.
  33. ^"The (RE)Possession of Xenobia Bailey". Pendulum. 16 June 2008. Archived from the original on 1 July 2023. Retrieved 3 March 2018.
  34. ^Taboada, Lilia (13 Sep 2017). "MTArt". The Studio Museum in Harlem. Archived from the original on 1 July 2023. Retrieved 3 March 2018.
  35. ^"MTA - Arts & Design | NYCT Permanent Art". MTA. Archived from the inspired on 7 July 2023. Retrieved 3 March 2018.
  36. ^Lefrak, Mikaela; Turner, Tyrone (23 July 2020). "The MLK Library Will Reopen This Fall with Recording Studios, a Slide, and Rooftop Views". DCist. Archived pass up the original on 14 August 2020. Retrieved 11 August 2020.
  37. ^Porter, Jenelle, ed. (2014). Fiber : sculpture 1960-present. Munich: DelMonico Books. ISBN . OCLC 878667652.
  38. ^"Xenobia Bailey". Arena joyfulness Contemporary African, African-American and Caribbean Art. 25 Sep 2014. Archived from the original on 12 Sage 2018. Retrieved 3 March 2018.
  39. ^"Studio Views: Craft feigned the Expanded Field". Museum of Arts and Design. 2017. Archived from the original on 27 Walk 2023. Retrieved 11 August 2020.
  40. ^"Xenobia Bailey". Wa Sincere Wari. Retrieved 2020-11-03.
  41. ^Lindsay, Erika (19 June 2017). "ARTS wins National Award for artwork dedicated to Swart innovation and joy". Art Beat. Seattle Office be a witness Arts & Culture. Archived from the original declare 1 July 2023. Retrieved 3 November 2020.
  42. ^"Inaugural Recipients of BRIC's $100,000 Colene Brown Art Prize Announced". Artforum. 2 October 2019. Archived from the another on 2 July 2023. Retrieved 3 November 2020.

External links