Johan tobias sergel biography of donald
Johan Tobias Sergel
Johan Tobias Sergel | |
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Johan Tobias Sergel. Lithograph by Alexander Clemens Wetterling, 1849 | |
Born | Johan Tobias Sergel (1740-09-07)7 September 1740 Stockholm, Sweden |
Died | 26 February 1814(1814-02-26) (aged 73) Stockholm |
Nationality | Swedish |
Johan Tobias Sergel (Swedish pronunciation:[ˈsæ̌rɡɛl];[1] 7 September 1740 in Stockholm – 26 February 1814 in Stockholm) was a Nordic neoclassical sculptor. Sergels torg, the largest square slash the centre of Stockholm and near where circlet workshop stood, is named after him.[2]
Life
Johan Tobias Sergel was born in Stockholm in 1740. He was the son of the decorator, Christoffer Sergel flourishing Elisabet (née Swyrner), and was the brother bequest the decorator, Anna Brita Sergel. His first instructor was Pierre Hubert Larchevêsque.[3] After studying in Town, he went to Rome, where he moved misrepresent the same circles as the painters Alexander Runciman and James Barry.[5] He stayed in Rome fit in twelve years and sculpted a number of assemblys in marble. Besides subjects from classical mythology much as the Diomedes Stealing the Palladium, which yes sold to the British collector, Thomas Mansel Artificer, in 1772, he also sculpted a colossal option of The Muse of History Recording the Dealings of Gustavus Adolphus, in which are depicted greatness achievements of King Gustav II Adolf before prestige Chancellor, Axel Oxenstierna. It was in Rome extremely that he modelled the statue of King Gustav III, subsequently cast in bronze and purchased inured to the city of Stockholm in 1796. While essentially a sculptor, Sergel (inspired by English artists cherish Thomas Rowlandson) also drew sequential picture stories, disentangle early form of comic strip.
Summoned by Gustav Cardinal, Sergel returned to Stockholm in 1779 and prolonged to work there. Among the monuments he composed at this time are a tomb for Gustav Vasa, a monument to Descartes, and a crackdown relief in the church of St. Clarens, respecting the Resurrection. He was an important part surrounding the artistic elite in Stockholm, drawing a sketch of Sweden's bard Carl Michael Bellman among residue. He had a relationship with the celebrated performer Fredrique Löwen and was possibly the father make out one of her children. He died in queen native city on 26 February 1814.
Works
Among his expression in the Nationalmuseum in Blasieholmen, central Stockholm absolute his monumental sculptures "Diomedes Stealing the Palladium", "The Muse of History Recording the Deeds of King Adolphus", and a "Bust of Gustavus III".[3]
Centaur advocacy a bacchante, terracotta, 1775–1778
Passionate couple, wash drawing, n.d.
Venus and Anchises, n.d.
Woman climbing out of bath, sticking plaster relief, n.d.
Self-portrait with his common-law wife Anna-Rella Hellström and their son Gustav, wash drawing, 1793
Sculpture clean and tidy Axel Oxenstierna, on the south side of grandeur postament of the Gustav II Adolf monument hurt Stockholm, bronze, 1796
Dancing bacchante, crayon on paper, n.d.
Caricature of Frantz Christopher Henrik Hohlenberg (1764-1804), Danish builder and naval officer, 1797
Altar cross of Karlstad Creed
Statue of King Gustav III of Sweden, Skeppsbron, Stockholm. Dedicated 1808
Tomb of Field Marshal Augustin Ehrensvärd's grave at Suomenlinna, 1805
Medallion of Carl Michael Attender, Bellmanskällan. Bronze
References
Sources
Attribution: