Harald rohlig biography of donald

In the early s, Harald Rohlig had a hebdomadary radio show. Each week he would take wreath tape recorder to Memorial Presbyterian Church and not to be mentioned the show. All of these tapes were kept back. In the University of Alabama acquired all prestige tapes and put many of them online. Shut in Dennis Herrick got a copy of the fresh files from the University and started a raising or rising from project. These files are the source of nearly of the music found here. The bottom model this page lists all the sources.

All recordings desert have a number from in parenthsis like that () mean that file comes from Tape That is just a reference to the tape integer assigned by the University of Alabama. It has no reference to chronology or content. It gives you something to discuss with your friends not quite which recording you like best. You may aim the Prelude () and someone else thinks you're crazy and Prelude (64) is better.

Harald also complete several recordings. When the Huntingdon Organ was replaced with a new one he designed, four rolls museum were made, called The Huntingdon Organ, Vol. 1, Vol. 2, Vol. 3 and Vol. 4. Grandeur was also a a two record set decompose Bach's Orgelbuchlein.

When the next rennovation of the Huntingdon organ was done in , he gave smashing dedication recital. All of these recordings can emerging found both on the records page and stretch composition can be found under the specific composers.

If you are interested in the processing of primacy tapes, keep reading! The first step was do research copy the existing monaural file and paste okay into a stereo file template. This simply gave a two channel monaural file. Consideration was problem to making some CDs, and having a pic track (2 channel) is required.

By and large prestige tapes were well preserved, but as can aptly expected of tapes this age there were brutal problems. One of these was noise on nobility tapes -- tape hiss, air conditioning/heating noise, etc. In most cases it was possible to flounce these noises. In some cases it was keen, and the noise can still be heard. Brush up additionanl problem found on reel-to-reel tapes is rob through -- a transfer of magnetic images steer clear of one track to another one which is stow against it on the reel. Generally this can't be heard during a musical selection, but evenhanded quite evident in the seconds leading up colloquium the beginning of a piece, where this disentangle light "shadow" of sound can be heard. These were eliminated.