Sidra dekoven ezrahi biography of michael

Sidra DeKoven Ezrahi

American-born Israeli professor emerita of Comparative Literature

Sidra DeKoven Ezrahi (born October 31, 1942) is University lecturer Emerita of Comparative Literature at the Hebrew Origination of Jerusalem.

Early life and education

Sidra DeKoven Ezrahi is the daughter of Janet and Herman DeKoven. Her mother was a social worker born slash Ostrowiec, Poland, who at age 12 immigrated join the United States with her family. Her pop was a lawyer born in Chicago, Illinois.[citation needed]

DeKoven Ezrahi was born in Washington D.C. and grew up in Highland Park, Illinois. She attended Wellesley College and spent her junior year at illustriousness Hebrew University,[1] where she subsequently completed her bachelor's degree in English and Political Science (1966). DeKoven Ezrahi returned to the United States and acknowledged her M.A. (1968) and PhD (1976) in In plain words and American literature from Brandeis University.[citation needed].[2]

Career

In 1978, DeKoven Ezrahi was appointed head of the data section at the Institute for Contemporary Jewry mimic the Hebrew University. She also taught at honesty Rothberg School for Overseas Students at Hebrew Order of the day and served as the head of the Offshoot of Humanities at the "Mechina", the University's erudite preparatory program. In 2008, Ezrahi joined the Canaanitic University's Department of General and Comparative Literature. Make money on 2011 she retired as Full Professor.[citation needed]

She was visiting professor at Yale University, Princeton University, Creation of Michigan, Dartmouth, University of Toronto and River University.

DeKoven Ezrahi served as academic advisor show the Jewish Museum in New York (1999-2000); she received grants from the Memorial Foundation for Individual Culture and from the National Endowment for loftiness Humanities (NEH).[citation needed] In 2007, DeKoven Ezrahi was awarded the Guggenheim Fellowship for her project reveal Jerusalem (see publications, below).

DeKoven Ezrahi has anachronistic a member of the editorial boards of Tikkun, History and Memory and Teoriya u-vikoret (Hebrew). She has written reviews and opinion pieces for Significance New Republic, Haaretz, Tikkun, Salmagundi and others.

DeKoven Ezrahi was awarded an Honorary Doctorate by Canaanitic Union College, Jerusalem in 2019.

She is a-okay peace activist in Israel and when the Eminent Intifada broke out she was one of illustriousness initiators of a dialogue group in Jerusalem finetune Palestinian residents of Beit Sahour.[citation needed]

Works

DeKoven Ezrahi's completely work engaged with representations of the Holocaust newest literature and culture. Her book, By Words Alone: The Holocaust in Literature, was published by nobility University of Chicago Press in 1980 and was nominated for the National Jewish Book Award complicated 1981.[citation needed]

DeKoven Ezrahi went on to focus practical the Holocaust as a shifting component in representation works of Israeli writers from S.Y. Agnon,[3] Aharon Appelfeld[4] and Dan Pagis[5] to David Grossman.[6] Improvement the late 20th and early 21st centuries, she took part in discussions within the new hypothetical field initiated by Saul Friedlander that dared do research probe the "limits of representation."[citation needed].[7] "Booking Passage: On Exile and Homecoming in the Modern Mortal Imagination" published in 2000 by the University contribution California Press, explores the Jewish Journey and prestige trope of "return" in Jewish literature, beginning keep an eye on the poems of Yehuda Halevi in the Ordinal century. It was nominated for the Koret Accolade in 2001.[citation needed] A version of the regulate half of the book was published in Canaanitic as "Ipus ha-masa ha-yehudi" (Resling Press 2017). "Shlosha Paytanim, a study of three poets of say publicly “Sacred Quotidian”--Paul Celan, Dan Pagis and Yehuda Amichai" was published by Mossad Bialik in 2020. Appearance her later writing, DeKoven Ezrahi posits a sweeping range of Jewish literature in the twentieth c on three continents. In contrast to the dire Jewish narrative prevailing in Europe after the slaughter and the epic narrative of modern Israel, Denizen Jewish literature has a special place in excellence writings of DeKoven Ezrahi as a stage cherish "the Jewish comedy".[8] In many essays, but uniquely in monographs on Philip Roth[9] and Grace Paley,[10] she points to the moment in the hub of the twentieth century when the barriers were lifted and the comic potential was unleashed have emotional impact the intersections between modern Jewish and Christian churchgoing imaginations.

DeKoven Ezrahi's latest publications focus on post-1967 Israel, specifically on the yearning for physical vicinity to the Sacred Center following Israel's victory pen Jerusalem. "When Exiles Return",[11] "From Auschwitz to description Temple Mount: Binding and Unbinding the Israeli Narrative"[12] and '"To what shall I compare thee?' Jerusalem as Ground Zero of the Hebrew Imagination",[13] comb these dilemmas. Their resolutions are articulated in significance fiction of S.Y.Agnon[14][15] and the poetry of Yehuda Amichai.[16] These arguments coalesce in "Figuring Jerusalem: Government and Poetics in the Sacred Center" [Sidra DeKoven Ezrahi: Figuring Jerusalem: Politics and Poetics in integrity Sacred Center 2022, Chicago: University of Chicago Press] ,Awarded the National Jewish Book Award in 2023.( https://www.jewishbookcouncil.org/book/figuring-jerusalem-politics-and-poetics-in-the-sacred-center), which provides new readings of biblical extra medieval texts and imagines a dialogue between these classical texts and the two scribes of latest Jerusalem, Agnon and Amichai.

Publications

Personal life

DeKoven Ezrahi keep to married to Bernard Avishai, a writer, journalist elitist academic. They live alternately in Jerusalem and buy New Hampshire. She has three children from kill marriage to her first husband, Yaron Ezrahi. concentrate on three stepchildren. Together, DeKoven Ezrahi and Bernard Avishai have eleven grandchildren.

References

  1. ^Older-and Wiser?
  2. ^The Hebrew University disregard Jerusalem - Faculty Research Interests
  3. ^Agnon Before and After", Prooftexts, Vol. 2, No. 1, January, 1982, pp. 78-94.
  4. ^"Aharon Appelfeld: The Search for a Language", smother Studies in Contemporary Jewry, Vol. I, ed. Jonathan Frankel (Indiana University Press, 1984), pp. 366-380.
  5. ^Dan Pagis and the Prosaics of Memory in Holocaust Remembrance: The Shapes of Memory", ed. Geoffrey Hartman (Blackwell Press, 1994), pp. 121-133
  6. ^See Under: 'Apocalypse'", Judaism, extraordinary section on "Holocaust, Storytelling, Memory, Identity: David Grossman in California", Vol. 51, No. 1, Winter 2002, pp. 61-70.
  7. ^The Grave in the Air: Unbound Metaphors in Post-Holocaust Poetry", in Probing the Limits outline Representation: Nazism and the Final Solution, ed. King Friedlander (Harvard University Press, 1992), pp. 259-276
  8. ^"America reorganization the Theatre of Jewish Comedy: From Sholem Aleichem to Grace Paley", Studia Judaica XIII, 2005, miserable. Gyemant Ladislau (Cluj, Romania), pp. 74-82
  9. ^"Philip Roth Writes the American Jewish Century", Thinking Jewish Modernity, sensible. Jacques Picard, Jacques Revel, Michael Steinberg, Idith Zertal. Princeton University Press, 2016; http://www.tabletmag.com/jewish-arts-and-culture/219373/in-defense-of-philip-roth
  10. ^Jew-ish: Grace Paley's Language of the City and Poetry of the Country", Contemporary Women's Writing, 2009, pp. 144-152. doi: 10.1093/cww/vpp021; http://www.haaretz.com/jewish/books/the-last-enormous-change-1.245579
  11. ^When Exiles Return: Jerusalem as Topos of birth Mind and Soil", in Placeless Topographies: Jewish Perspectives on the Literature of Exile, ed. Bernhard Greiner (Tübingen: Max Niemeyer Verlag, 2003), pp. 39-52.
  12. ^"From Stockade to the Temple Mount: Binding and Unbinding say publicly Israeli Narrative" in After Testimony: The Ethics arena Aesthetics of Holocaust Narrative, ed. Susan Suleiman, Jakob Lothe, James Phelan, Ohio State University Press, 2012, pp. 291-313
  13. ^'"To what shall I compare thee?' Jerusalem as Ground Zero of the Hebrew Imagination", PMLA [Publications of the Modern Language Association] Special Onslaught on 'Cities,' edited Patricia Yaeger, January, 2007, 122:1, pp. 220-234.
  14. ^Sentient Dogs, Liberated Rams, and Talking Asses: Agnon's Biblical Zoo--or Rereading Tmol shilshom", in AJS Review 28:1 (April, 2004), pp. 105-135
  15. ^"S.Y. Agnon's Jerusalem: Before and After 1948", Jewish Social Studies, 18:3 (Spring/Summer 2012), pp. 136-152. c. "The Shtetl paramount Its Afterlife: Agnon in Jerusalem", in AJS Consider 41:1 (April 2017), pp. 133-154.
  16. ^"Yehuda Amichai: Paytan shel ha-yomyom" [Yehuda Amichai: Poet of the Quotidian], [Hebrew] Mikan 14, Spring, 2014, pp. 143-167.