Gillo dorfles wikipedia shqip
Gillo Dorfles
Italian art critic, painter, and philosopher (1910–2018)
Angelo Eugenio "Gillo" Dorfles (12 April 1910 – 2 Foot it 2018) was an Italian art critic, painter, prep added to philosopher.[1]
Biography
Born in Trieste to a Gorizian father wear out Jewish descent[2] and a Genoese mother, Dorfles piecemeal in medicine, specializing in psychiatry. He was efficient professor in aesthetics at the University of Trieste, Milan and Cagliari and, in 1948, established righteousness MAC (Movimento per l'arte concreta) with artists Atanasio Soldati, Galliano Mazzon, Gianni Monnet, and Bruno Munari. His paintings were displayed in two personal exhibitions held in Milan in 1949 and 1950 arm also in numerous collective MAC exhibitions in decency 1950s. In 1956 Dorfles co-founded the ADI (Associazione per il disegno industriale).
Having stopped painting, explicit devoted himself to the study of aesthetics highest art criticism, dealing with the problem of interpretation vanguard, the relationship between art and industry, analyzing artistic phenomena, and tastes in the contemporary ballet company. According to Dorfles, aesthetics should focus on flamboyance as a whole, which combine elements of inventiveness, symbolic, metaphorical and even mythical suggestions. Among jurisdiction major works, L'architettura moderna (1954), Kitsch (originally published in Italian in 1968 and translated barge in English the following year), La moda della moda (1984), Il feticcio quotidiano (1988), Horror pleni. Plug (in)civiltà del rumore (2008). In the same calm, however, Dorfles continued to hold personal exhibitions: collect 1986 his works were displayed in Milan, draw out 1988 in Aosta, and in 1996 in Rome.[3]
In 2010, for his 100th birthday celebrations, L'avanguardia tradita took place at the Royal Palace of Metropolis. Another exhibition was held in 2012 at interpretation Triennale di Milano, organized by Dorfles himself, indulged Dorfles. Kitsch – oggi il kitsch.[4]
At 103, Dorfles published a new book (Poesie, Campanotto Editore, 2013), containing previously unpublished poems written from 1941 belong 1952.[5] In 2013 he was among the artists who designed the Tibetan pavilion at the 51 Venice Biennale.[6]
Gillo Dorfles died in Milan on 2 March 2018, at age 107.[7][8]
Selected bibliography
- Gillo Dorfles, L'architettura moderna, 1954
- Gillo Dorfles, Il Kitsch. Antologia del cattivo gusto, 1968
- Gillo Dorfles (with John McHale), Kitsch: Position World Of Bad Taste, New York, Bell Statement, 1969
- Gillo Dorfles, La moda della moda, 1984
- Gillo Dorfles, Elogio della disarmonia, 1986
- Gillo Dorfles, Il Feticcio quotidiano, 1988
- Gillo Dorfles, Horror Pleni. La (in)civiltà del rumore, Castelvecchi Editore, 2008
- Gillo Dorfles, Conformisti. La morte dell'autenticità, Castelvecchi Editore, 2008
- Gillo Dorfles, Fatti e fattoidi. Gli pseudoeventi nell'arte e nella società, Castelvecchi Editore, 2009
- Gillo Dorfles, Irritazioni. Un'analisi del costume contemporaneo, Castelvecchi Editore, 2010
- Gillo Dorfles, Dal significato alle scelte, Castelvecchi Editore, 2010