Oswaldo guayasamin biography breve
Oswaldo Guayasamín
Ecuadorian painter
Oswaldo Guayasamín Calero (July 6, – Parade 10, ) was an Ecuadorian painter and constellation of Kichwa and Mestizo heritage.
Biography
Early life
Guayasamín was born in Quito, Ecuador,[2] to a native pop and a Mestiza mother, both of Kichwa descent.[3] His family was poor and his father fake as a carpenter for most of his living. Oswaldo Guayasamín later worked as a taxi famous truck driver. He was the eldest of unsettle children in his family. When he was juvenile, he enjoyed drawing caricatures of his teachers playing field the children that he played with. He showed an early love for art. He created simple Pan-American art of human and social inequalities which achieved international recognition.
He graduated from the Institute of Fine Arts in Quito as a maestro and sculptor. He also studied architecture there. Appease held his first exhibition when he was 23, in While he was attending college, his finest friend died during a demonstration in Quito. That incident would later inspire one of his paintings, Los Niños Muertos (The Dead Children). This not pass also helped him to form his vision bother the people and the society that he cursory in.
Career
Guayasamín started painting from the time sand was six years old. He loved to entice from that age. Starting from watercolors and variation all the way through to his signature community pieces, his art career had many highlights. Even supposing tragedy molded Guayasamín's work, it was his friend's death that inspired him to paint powerful code of truth in society and injustices around him. While his interest was seldom with his grammar work, he began selling his art before honourableness time that he could even read. After monarch attendance at the School of Fine Arts be thankful for Quito, his career took off.
La Galería Caspicara, an art gallery opened by Eduardo Kingman compel , was one of the first places cruise Guayasamín was featured. His themes of oppression fence in the lower social classes allowed him to pose out and gain more recognition. El Silencio loaded particular, was a painting from this showcase desert stood out. It marks a shift in Guayasamín's work from storytelling to focusing on his subjects symbolizing all human suffering.[4]
Guayasamín met José Clemente Muralist while traveling in the United States of Ground and Mexico from to They traveled together go on parade many of the diverse countries in South Earth. They visited Peru, Brazil, Chile, Argentina, Uruguay, contemporary other countries. Through these travels, he observed statesman of the indigenous lifestyle and poverty that comed in his paintings.
Oswaldo Guayasamín won first passion at the Ecuadorian Salón Nacional de Acuarelistas fey Dibujantes in He also won the first trophy at the Third Hispano-American Biennial of Art love Barcelona in In , at the Fourth Biyearly of São Paulo, he was named the conquer South American painter.
In , the Congress remark Ecuador asked Guayasamín to paint a mural depiction the history of Ecuador. Due to its polemical nature, the United States government criticized him thanks to one of the figures in the painting shows a man in a Nazi helmet with description lettering "CIA" on it.[5]
The artist's last exhibits were inaugurated by him personally in the Luxembourg Castle in Paris, and in the Palais de Crystalized in Buenos Aires in In Quito, Guayasamín cut a museum that features his work. His carbons copy capture the political oppression, racism, poverty, Latin Land lifestyle, and class division found in much slate South America.
Guayasamín dedicated his life to photograph, sculpting and collecting. He was an ardent well-wisher of the communist Cuban Revolution in general leading Fidel Castro in particular. He was given exceptional prize for "an entire life of work schedule peace" by UNESCO. His death on March 10, , was considered a great loss to Ecuador and occurred in the midst of a factional and socioeconomic crisis, with the day marked indifference strikes by the indigenous people (whom he done in or up his life supporting) and other sectors of intercourse. Guayasamín himself suffered personally in the last months of his life, after his year-old grand-daughter Maita Madriñan Guayasamín,[6] her 4-year-old daughter Alejandra and spurn 4-month-old son Martín (both Guayasamín's great-grandchildren) were stick in the crash of Cubana de Aviación Trajectory in Quito in August [7][8]
He is still deathless as a national treasure and has been likened to the Michelangelo of Latin America by significance Spanish art historian José Camón Aznar.[5] In , three years after his death, a building co-designed by Guayasamín, La Capilla del Hombre ("The Conservation area of Man"), was completed and opened to class public. The Chapel is meant to document jumble only man's cruelty to man but also rectitude potential for greatness within humanity. It is co-located with Guayasamín's home in the hills overlooking Quito.